University of SOAD Launched September 20, 2021

Marie-Ange-Thebaud_600x600

Welcome to the inauguration of our University. It was here that on July 1, International Day of the African Diaspora, we announced the upcoming opening of University of the State of African Diaspora (USOAD).

The theme this year is “Heritage for All”. For everyone in Europe, but also for the whole planet. Heritage is the heritage of everyone around the world. Especially to Africans who have created and endowed the planet with incredible treasures. African heritage must stop being despoiled and must be shared with Africans. Laws must decree as quickly as possible the return of all African heritage to Africa. Human remains, as an extension of what has been decreed for the return, for example of the Venus Hottentot, must be returned without delay.

We should think about a Pan-African heritage day which would allow us, following a careful inventory and identification of the goods of the past, to put in place actions for the future. A program that would determine: the conservation of its goods, the schedule of returns, the exhibitions to be made, the places, the circulation of works of art in a physical or digital way. Everyone should be able to enjoy it. We call for greater inclusion and recognition of diversity; review existing stories for better transmission to future generations.

Within the Faculty of Heritage, we will work on tangible and intangible heritage. On the origins of heritage. Make an inventory to better soak up each object of art.

We will also work on the human heritage, the kings, which existed before the transatlantic and Indian Ocean slave trade, their history. The resistance, the maroons. The descendants of slave trade captives.

We will also deal with the origin of the creation of art objects, the endogenous culture, that of its captives and the cultural heritage resulting from the slave trade. The influence of African art in the world. African culture and its influence since the dawn of time. The heritage that is in Africa but also everything that is in Europe and elsewhere. We will teach about restitution, reparation, restoration, intellectual property law and human rights.

The restoration of palaces and other heritage will be taught by the Guezo Royal Institute, complementary to our faculty, through practical training in the art of royal courts; management, economics, and entrepreneurship.

In the heritage faculty we will also teach the art of interviewing, writing, reporting in connection with the kingdoms. The tales of queens and kings through these reports will form the knowledge base to be passed on to Afro-descendants (Afro-Ascendants), tourists and anyone interested in the history of the kingdoms. Books will be published, DVDs and films produced for the University site, but also for the traveling Memory of Humanity Film Festival, a partner of SOAD.

We will stimulate the return of Afro-descendants  (Afro-Ascendants)and participate in the creation of smart cities. We will strengthen the kingdoms by the diaspora and the diaspora by the kingdoms.

The students will at the end of their Degree or Masters work for SOAD.

Here is our curriculum project which will be completed by the contribution of all our teachers.

ROYAL FACULTY OF HERITAGE, ART, CULTURE AND TRADITIONS

THE STATE OF AFRICAN DIASPORA

CURRICULUM

History of African Diaspora

Migration of Africans to the other regions of the world including the Indian Ocean before the  
  Trans-Atlantic Slave Trade

The Trans-Atlantic Slave Trade

The Beginning

The Triangular Trade

History of Resistance

The Abolition movement

The Slave Route and Reparation Studies

Modern Slavery

Pan African Studies

History of African Civilization

The Philosophy of Negro-African Arts and culture

Pan-Africanism and future of Africa

Studies of Pioneer Pan-Africanists and their Philosophy

African Diaspora and Homeland Return studies

History of Dispersion of Africans

Africans in the Diaspora

The Homeland return ideology

Strategy for Homeland return

Reparation and Restitution studies

African Traditional Religion and Ancestral Worship

The Origin of African traditional religion

The Concept of God in African traditional religion

The Concept of divinity and spirits

The Concept of life after death or cult of ancestor

  Importance of festivals

History of African Kingdoms, Heritage and Arts Studies

History of evolution of African kingdoms

Process of Choosing a new king

The Coronation procedures

The Royal courtyard

The Creative Arts and  media studies

Film-making

Book editing

Creative writing

Fashion

Media

Drama

Diaspora Tourism Management

The Travel and Tourism Environment

The Concept of Diaspora tourism

Marketing and promotion of Diaspora Tourism

Diaspora Tourism Development Planning

Contemporary issues in Diaspora Tourism

Hospitality Management in Diaspora Tourism

Human Resources Management in Diaspora Tourism

Tourism Destination Management for Diaspora Tourism

Visitor Attraction Management

Tour Operations and Tour guards Management in Diaspora Tourism

Public Relations and Promotion in Diaspora Tourism

Museum Studies

Studies of Evolution of Museums in Africa

Museum and Society

Museum Management

Collection and Curation

 Conservation and Preservation of Museum Objects

Museum Exhibition

Source: Nan Aidji ( Marie-Ange Bissot-Thebaud)
             Ministry of Historical Legacy, SOAD

Who built Murud Janjira the siddi fort in India?
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